14—17 January 2016
Bodies of Evidence
Conference at DOCH,
Stockholm, Sweden
30 January 2016
Escenas Do Cambio,
Santiago de Compostela, Spain
4 February—26 March 2016
9—10 February 2016
26—27 February 2016
BIT Teatergarasjen,
Bergen, Norway
2—3 March 2016
Black Box Theater,
Oslo, Norway
14—17 March 2016
22 March 2016
Leuven, Belgium
23 March—10 April 2016
Residency at STUK,
Leuven, Belgium
20—25 April 2016
23 April 2016
Tanzquartier Wien,
Vienna, Austria
26—28 April 2016
Pole Sud,
Strasbourg, France
13—15 May 2016
KVS, Kunstenfestivaldesarts,
Brussels, Belgium
25—26 May 2016
Onassis Cultural Center,
Athens, Greece
29—30 May 2016
15—18 June 2016
Border Effects
Hannover, Germany
20—24 June 2016
29—30 June 2016
Tmuna Theater,
Tel Aviv, Isreal
23—24 August 2016
29—31 August 2016
3 September 2016
Best of the Fest Festival, Park Theater,
Eindhoven, The Netherlands
19—20 September 2016
1 October 2016
4+4 Days in Motion,
Prague, The Czech Republic
14 October 2016—15 January 2017
16 October 2016
HAU – Hebbel am Ufer,
Berlin, Germany
27 October—5 November 2016
5—7 November 2016
Timisoara Performing Arts Festival, Mansarda Facultăţii de Arte,
Timisoara, Romania
16—27 November 2016
17 November—3 December 2016
24 November 2016
La Halle Aux Grains,
Blois, France
7—8 December 2016
17 December 2016
Drone in All Its Forms
The empathetic view in the theater

For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online

25 February 2019

How can we rethink the documentary in art in terms of content, form and method? The School of Speculative Documentary is an interdisciplinary space for an ​encounter that seeks to question the documentary act. Creators take the floor to discuss uncertainty and guesswork, to confront the unfixable holes in their work and the messiness of reality.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.