Nous ne sommes donc pas face un scénario de science-fiction : le projet Talos prolonge des dynamiques déjà à l’oeuvre aux frontières de l’Europe [...] Arkadi Zaides vient ici provoquer l’esprit critique du public, non pas en présentant son point de vue sur le projet, mais en exhibant les mécanismes de discours de ses promoteurs. Dès lors, la forme théâtrale ne se présente pas directement comme un espace de débat, mais comme un outil pour capturer, exposer, et faire dérailler une idéologie.→
What kind of choreography arises in the proximity of borders? Which strategies of restriction define movement? This work sets out to explore a dynamic system of action and reaction, limitation and transgression, stasis and mobility. The piece is a response to TALOS, an EU-funded research project in the field of security enforcement for which an advanced system aimed at protecting European land borders was designed. TALOS was a collaborative project involving fourteen institutions from ten countries that was officially conducted between the years 2008-2013. It resulted in the conception of a surveillance system that could be rapidly deployed to any location. This system was to be based on mobile, semi-autonomous robots that patrol border areas and gain physical and performative presence. The TALOS project was never launched and remained an experiment, a test, and a demonstration of technological capabilities. Since 2016, Arkadi Zaides has gathered a team of choreographers, dramaturges, and video artists to develop a performance that questions the TALOS project.
Credits & CollaboratorsTeam Claire Buisson, Jonas Rutgeerts, Youness Anzane, Nienke Scholts, Effi & Amir, Gabriel Braga, Arkadi Zaides, Amit Epstein, Thalie Lurault, Etienne Exbrayat, Simge Gücük Performed by Arkadi Zaides / Lara Barsacq Co-produced by Les Subsistances (FR), La Maison de la Danse (FR), K3 - Zentrum für Choreographie, Tanzplan Hamburg as part of Together Apart project, funded by the German Federal Cultural Foundation (DE), TanzQuartier Wien (AT), NEXT Arts Festival, Lille-Kortrijk-Tournai (BE-FR), CSS, Villa Manin (IT) , CDC Toulouse (FR), Wiesbaden Biennale (DE), Teaterhuset Avant Garden (NO), CCNN – Centre Chorégraphique National de Nantes (FR) Residency support Kunstenfestivaldesarts (BE), O Espaço do Tempo (PT), STUK (BE), Tanz im August/HAU Hebbel am Ufer (DE) With the participation of DICRéAM With the support of Transfabrik Fund - the Franco-German Fund for performing arts Institut des Croisements - Arkadi Zaides is supported by French Ministry of Culture and Communication - DRAC Auvergne Rhône-Alpes International distribution Key Performance
Articles & Reviews
Automated technology is already a fact in many aspects of our lives. But what would happen if robots were assigned to make ethical decisions in situations where human interaction is perhaps most needed? “TALOS” is the title of dancer and choreographer Arkadi Zaides' new piece premiering at Tanz im August, but it’s also the name of a EU-funded mobile robot surveillance system intended to detect and prevent illegal border crossings in Europe, officially conducted between 2007 and 2012. We caught up with Zaides for a conversation about his performance and the future of borders.→
Curated by Michiel Vandevelde. Participating artists Linah Dalifa, Pieterjan Ginckels, Hamza Halloubi, Ermias Kifleyesus, Jaha Koo, Mashid Mohadjerin, Radouan Mriziga, Ogutu Muraya, Amanda Piña, Aneta Rostkowska & Jakub Woynarowski, Myriam Van Imschoot, Arkadi Zaides, Oliver Zahn & Julian Warner
For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online→
What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines Zaides' practice over the past years.→