Automated technology is already a fact in many aspects of our lives. But what would happen if robots were assigned to make ethical decisions in situations where human interaction is perhaps most needed? “TALOS” is the title of dancer and choreographer Arkadi Zaides' new piece premiering at Tanz im August, but it’s also the name of a EU-funded mobile robot surveillance system intended to detect and prevent illegal border crossings in Europe, officially conducted between 2007 and 2012. We caught up with Zaides for a conversation about his performance and the future of borders.→
What kind of choreography arises in the proximity of borders? Which strategies of restriction define movement? Zaides’ new work sets out to explore a dynamic system of action and reaction, limitation and transgression, stasis and mobility. The work is a response to TALOS, an EU-funded initiative that designed an advanced system for protecting European land borders. TALOS was a collaborative project between fourteen institutions from ten countries that was officially conducted between the years 2008-2013. It resulted in a demonstration of a surveillance system that could be deployed in a matter of hours at any location. The system included mobile, semi-autonomous robots that patrol border areas and gain physical and performative presence. For the TALOS project, Zaides put together a team of choreographers, dramaturges, video artists, and robotic experts. Since 2016, the team has been developing a keynote presentation that references the original project.
Credits & CollaboratorsTeam Claire Buisson, Jonas Rutgeerts, Youness Anzane, Nienke Scholts, Effi & Amir, Gabriel Braga, Arkadi Zaides, Amit Epstein, Culture Crew, Thalie Lurault, Etienne Exbrayat, Simge Gücük Footage Drone Media Studio (HU), UNICEF Co-produced by Les Subsistances (FR), La Maison de la Danse (FR), K3 - Zentrum für Choreographie, Tanzplan Hamburg as part of Together Apart project, funded by the German Federal Cultural Foundation (DE), TanzQuartier Wien (AT), NEXT Arts Festival, Lille-Kortrijk-Tournai (BE-FR), CSS, Villa Manin (IT) , CDC Toulouse (FR), Wiesbaden Biennale (DE), Teaterhuset Avant Garden (NO), CCNN – Centre Chorégraphique National de Nantes (FR) Residency support Kunstenfestivaldesarts (BE), O Espaço do Tempo (PT), STUK (BE), Tanz im August/HAU Hebbel am Ufer (DE) With the participation of DICRéAM With the support of Transfabrik Fund - the Franco-German Fund for performing arts Institut des Croisements - Arkadi Zaides is supported by French Ministry of Culture and Communication - DRAC Auvergne Rhône-Alpes
Articles & Reviews
In a weekly event throughout the season, Dansehallerne presents meetings between affiliated artists and guests. In the upcoming session which topic is 'Choreography or Activism?' Arkadi Zaides will have a conversation with the choreographer Efva Lilja.
The experience and representation of collectivity are closely linked to an active act of imagination and representation where identities are not just given but constructed and performed. Thus, artistic and theoretical practices matter in this process of chosen or imposed filiations and legacies. What does it mean when a body, in the desire of having something in common, of sharing certainty, stands in for a broader cause? How do gestures and movement equip us with a sense of recognition, with a feeling of home? And where does collectivity end up in monitoring our imagination and introduce (self-)censorship? “Violence of Inscriptions #3” will host Farah Saleh, Frédéric Pouillaude, deufert&plischke, Jens R. Giersdorf, Didem Pekün, Kat Francois and Invernomuto for the 3ed event in the series.
What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines Zaides' practice over the past years.→