Moves Without Borders
Moves Without Borders is a collaborative curatorial project between Zaides, Goethe-Institute Israel, and additional partners. The project took place between 2012-2015, during this time contemporary avant-garde choreographers were invited present their work and lead workshops in Tel Aviv, Jaffa and Bat Yam. The project provided local audience and performance practitioners a chance to get acquainted with different choreographic practices. List of participating artists included: Marten Spangberg (SE), Meg Stuart (DE/BE), Philipp Gehmacher (AT), deufert&plischke (DE), Myriam Van Imschoot (BE), Alain Franco (BE), and Rodrigo Sobarzo (CL/NL).
Moves Without Borders aimed to critically reflect on the political climate in Israel, a reality of borders and walls. Looking back at the participating artists, one can notice a clear Eurocentric orientation. Contrary to its original objective to promote a borderless cultural exchange, it seems that the project had reinforced the existing situation. The dialogue took place between artists from hegemonic countries, while the voices of artists from marginal countries remained unheard. Nevertheless, the tools that were acquired during the program will hopefully resonate within the Israeli dance community, and will pave the way to an engaged and radical dance scene.
For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online→
In collaboration with L’École Urbaine de Lyon.
What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines Zaides' practice over the past years.→