7 February 2011
Tmuna Theater,
Tel Aviv, Israel
4—5 April 2011
Duncan Center,
Prague, The Czech Republic
11—21 April 2011
Coaching Project
Klub Zak,
Gdansk, Poland
26 April—31 May 2011
28 April 2011
Tmuna Theater,
Tel Aviv, Israel
8—9 June 2011
11—15 June 2011
Kunst-Stoff Arts,
San Francisco, USA
7—9 July 2011
Dancing On The Edge Festival,
Vancouver, Canada
9—14 August 2011
Dance Box,
Kobe, Japan
13 August 2011
24 August 2011
About Resilience
Tanz Im August,
Berlin, Germany
5 October 2011
About Resilience
30—31 October 2011
Mes De Danza,
Seville, Spain
2—3 November 2011
Mes De Danza,
Seville, Spain
5—6 November 2011
Bad Bilbao,
Bilbao, Spain
27 November 2011
Work In Progress Presentation, DOKzaal,
Amsterdam, The Netherlands
8 December 2011
Dancing On The Edge Festival, Brakke Grond,
Amsterdam, The Netherlands
9 December 2011
Dancing On The Edge, Theater Kikker,
Utrecht, The Netherlands
10 December 2011
15 December 2011
16 December 2011
7—13 October 2018
THEORY OF PRACTICE, Symposium at DOCH, SITE & Eric Ericssonhallen, Stockholm, Sweden
The empathetic view in the theater

For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online

15 November 2018

In collaboration with L’École Urbaine de Lyon.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.