18 January 2006
The Lab,
Jerusalem, Israel
18 January 2006
The Lab,
Jerusalem, Israel
25 January 2006
Suzanne Dellal Center,
Tel Aviv, Israel
16—17 June 2006
Adama Festival,
Machtesh Ramon, Israel
11—12 July 2006
Festival De La Cite,
Lausanne, Switzerland
30 August 2006
B-Motion, Operaestate Festival Veneto,
Bassano Del Grappa, Italy
10—11 September 2006
Tanec Praha,
Prague, The Czech Republic
11—27 October 2006
17 November 2006
Suzanne Dellal Center ,
Tel Aviv, Israel
25 November 2006
29 November 2006
Curtain Up Festival, The Lab,
Jerusalem , Israel
1 December 2006
9 December 2006
The Lab,
Jerusalem, Israel
10 December 2006
International Exposure Festival, The Lab,
Jerusalem, Israel
23 October 2017

In a weekly event throughout the season, ​Dansehallerne presents meetings between affiliated artists and guests. In the upcoming session which topic is 'Choreography or Activism?' Arkadi Zaides will have a conversation with the choreographer Efva Lilja.

15—19 November 2017

The experience and representation of collectivity are closely linked to an active act of imagination and representation where identities are not just given but constructed and performed. Thus, artistic and theoretical practices matter in this process of chosen or imposed filiations and legacies. What does it mean when a body, in the desire of having something in common, of sharing certainty, stands in for a broader cause? How do gestures and movement equip us with a sense of recognition, with a feeling of home? And where does collectivity end up in monitoring our imagination and introduce (self-)censorship? “Violence of Inscriptions #3” will host Farah Saleh, Frédéric Pouillaude, deufert&plischke, Jens R. Giersdorf, Didem Pekün, Kat Francois and Invernomuto for the 3ed event in the series.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.