In Land Research, Arkadi Zaides presents a stark landscape: images projected on a large screen at the back of a wide stage empty of all props, except a mic stand at the front left. Land Research was performed in Israel on July 30, 2012 as part of the Summerdance Festival at Suzanne Dellal in Tel Aviv, continuing his process of developing an artistic dialogue with artists from a variety of disciplines and backgrounds, into this landscape enter performers: dancer Yuli Kovbasnyan who immigrated alone to Israel from Russia in her teens, Ofir Yudilevitch, a dancer with an extensive background in acrobatics and Capoeira, Palestinian artist and actress Raida Adon, performer and video artist Sva Li-Levy, and dancer/acrobatics practitioner Asaf Aharonson.→
The work ties together the relations between the geopolitical landscape and the physical body. On stage, five performers from diverse backgrounds take turns in solo acts. Through a series of physical tasks, each dancer undergoes an individual processes of transformation. Each solo is followed by a projection of images that depict local scenery. Shot by Israeli photographer Yuval Tebol, they capture the Israeli/Palestinian landscape. The images reveal the presence of concrete bearers within the landscapes, and allude to similar yet unpalpable bearers between each performer's personal narrative.
Land-Research began with interviews of the performers, conducted by cultural researcher Anat Cederbaum. The interviews included a set of questions that examined the congruence and conflicts between each performer’s personal and national narratives. The same questions were later brought into the studio and served as the starting point from which each solo was created.
Land-Research was premiered at Fabrik Potsdam in the frame of Tanztage Festival, 2012.
Credits & CollaboratorsChoreography Arkadi Zaides Research, guidance and artistic collaboration Anat Cederbaum Dramaturgy Joanna Lesnierowska Performed by Raida Adon, Asaf Aharonson/Yuval Goldstein, Sva Li Levi, Yuli Kovbasnyan, Ofir Yudilevitch Photographer Yuval Tebol Video design Daniel Landau Music Tom Tlalim & Chen Wagner Light Bruno Pocheron Artistic advise Felix Ritter Costumes Nadav Svetlov Prouducer Hila Kaplan Co-produced by Theatre National De Chaillot (FR), Ballet National De Marseille in collaboration with KLAP (FR), Fabrik Potsdam (DE), Art Stations Foundation (PL), The Polish Institute (IL) Residency support The Acco Theater Center (IL), Amsterdam Master Of Choreography (NL)
Articles & Reviews
Arkadi Zeides possesses the prestigious dowry of being a former dancer in the Bat Sheva Dance Company, one who has worked with Ohad Naharin and later in Yasmin Godder's ensemble. When a dancer with such a record achieves a point in life where he asks himself "what's next", looking for a new meaning to his work in dance, and is also willing to "unlearn" all that he has learned to make room for something new – there's a possibility to create something deep, direct, and intensely focused, with the body at its center.→
In a weekly event throughout the season, Dansehallerne presents meetings between affiliated artists and guests. In the upcoming session which topic is 'Choreography or Activism?' Arkadi Zaides will have a conversation with the choreographer Efva Lilja.
The experience and representation of collectivity are closely linked to an active act of imagination and representation where identities are not just given but constructed and performed. Thus, artistic and theoretical practices matter in this process of chosen or imposed filiations and legacies. What does it mean when a body, in the desire of having something in common, of sharing certainty, stands in for a broader cause? How do gestures and movement equip us with a sense of recognition, with a feeling of home? And where does collectivity end up in monitoring our imagination and introduce (self-)censorship? “Violence of Inscriptions #3” will host Farah Saleh, Frédéric Pouillaude, deufert&plischke, Jens R. Giersdorf, Didem Pekün, Kat Francois and Invernomuto for the 3ed event in the series.
What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines Zaides' practice over the past years.→