8—9 January 2015
Tmuna Theater,
Tel Aviv, Israel
22—31 January 2015
2—6 February 2015
École des Beaux-Arts, Galerie Du Quai,
Toulouse, France
3 February 2015
CNDC Angers,
Angers, France
5—6 February 2015
CDC Toulouse,
Toulouse, France
9—22 February 2015
11—15 March 2015
Itau Cultural, MITSP,
Sao Paulo, Brazil
6—10 April 2015
Rotterdam Centrum voor Theater (rcth),
Rotterdam, The Netherlands
29 April—1 May 2015
What’s Art Got to Do With It
Conference at De Balie,
Amsterdam, The Netherlands
9 May 2015
The Difference Between Spectator and Witness
14—18 May 2015
Brussles, Belgium
24—26 May 2015
Festival Transameriques,
Montreal, Canada
4—5 June 2015
T-Werk, Fabrik Potsdam,
Potsdam, Germany
11—12 June 2015
Tmuna Theater,
Tel Aviv, Israel
10—19 July 2015
Santarcangelo Festival,
Santarcangelo, Italy
11—12 July 2015
Santarcangelo Festival,
Santarcangelo, Italy
18—19 August 2015
FAR Festival Des Arts,
Nyon, Switzerland
2 September 2015
Oriente Occidente,
Rovereto, Italy
17 September 2015
17—19 September 2015
Brussels, Belgium
23—27 September 2015
Festival De Keuze, Rotterdamse Schouwburg,
Rotterdam, The Netherlands
24—25 September 2015
Festival De Keuze, Rotterdamse Schouwburg,
Rotterdam, The Netherlands
7 October 2015
Le Cuvier,
Bordeaux, France
11—15 October 2015
Residency at O Espaco do Tempo,
Montemor-o-Novo, Portugal
31 October 2015
18—20 November 2015
24—25 November 2015
Dansem Festival, Montevideo,
Marseilles, France
5 December 2015
International Exposure Festival, Inbal Theater, Suzanne Dellal Center,
Tel Aviv, Israel
9 December 2015
Turnhout, Belgium
10—15 December 2015
Brussels, Belgium
16—17 December 2015
Powers of the Apparatus
The empathetic view in the theater

For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online

25 February 2019

How can we rethink the documentary in art in terms of content, form and method? The School of Speculative Documentary is an interdisciplinary space for an ​encounter that seeks to question the documentary act. Creators take the floor to discuss uncertainty and guesswork, to confront the unfixable holes in their work and the messiness of reality.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.