24—28 January 2018
26 February—2 March 2018
Workshop
ISAC,
Brussels, Belgium
1 March 2018
The Sound Of Movement
Artist talk at La Bellone,
Brussels, Belgium
3 March 2018
14—15 March 2018
STUK,
Leuven, Belgium
23 March—1 July 2018
24 March 2018
Zurich Moves, Tanzhaus Zurich,
Zurich, Switzerland
27 March 2018
Le grand R,
La Roche sur Yon, France
29 March 2018
CCN de Nantes,
Nantes, France
20 April 2018
Extra City,
Antwerp, Belgium
4—5 May 2018
Verkstedhallen, Avant Garden,
Trondheim, Norway
21—31 May 2018
Residency at STUK,
Leuven, Belgium
25 May 2018
A EUROPE OF BOUNDARIES AND BORDERS
Academy Under Trees,
Castle Genshagen, Germany
4—6 June 2018
Athens Festival,
Athens, Greece
13—16 June 2018
HAU - Hebbel am Ufer,
Berlin, Germany
17—28 June 2018
30 June 2018
Spoiwa Festival, Trafo,
Szczecin, Poland
4—11 July 2018
PRACTICING THE REAL IN DANCE: DOCUMENT, TESTIMONY, SITES
7—13 October 2018
THEORY OF PRACTICE
Symposium at DOCH, SITE & Eric Ericssonhallen,
Stockholm, Sweden
18—21 October 2018
Tangente,
Montréal, Canada
24 October 2018
Teatro Campos,
Bilbao, Spain
25—27 October 2018
DECENTERING THE VISION(S) OF EUROPE: THE EMERGENCE OF NEW FORMS
30 October—12 November 2018
31 October—16 November 2018
Revoltella Museum,
Trieste, Italy
18 November 2018
Revoltella Museum,
Trieste, Italy
10—20 December 2018
The empathetic view in the theater

For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online

15 November 2018

In collaboration with L’École Urbaine de Lyon.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.