14 October 2016—15 January 2017
2—5 March 2017
HAU - Hebbel am Ufer,
Berlin, Germany
13—18 March 2017
12—19 April 2017
Totem Centre Theatre Lab,
Kherson, Ukraine
12 May 2017
Théâtre des Quatre Saisons,
Gradignan, France
29 May 2017
Set in Motion
10—11 June 2017
Exclusive Access
Symposium, Research Pavilion, Venice Biennale,
Venice, Italy
15 June—15 September 2017
La Casa Encendida,
Madrid, Spain
30 June—2 July 2017
HAU - Hebbel am Ufer,
Berlin, Germany
30 August—2 September 2017
9 September 2017
9 September 2017
10 October 2017
Festival International des Arts de Bordeaux Métropole,
Espace Culturel du Bois fleuri, Lormont, France
20 October 2017
VIE Festival,
Modena, Italy
23 October 2017
Choreography in Action
Copenhagen, Denmark
15—19 November 2017
HAU - Hebbel am Ufer,
Berlin, Germany
17 November 2017
HAU Hebbel am Ufer,
Berlin, Germany
14—16 December 2017
Les Subsistances,
Lyon, France
23 October 2017

In a weekly event throughout the season, ​Dansehallerne presents meetings between affiliated artists and guests. In the upcoming session which topic is 'Choreography or Activism?' Arkadi Zaides will have a conversation with the choreographer Efva Lilja.

15—19 November 2017

The experience and representation of collectivity are closely linked to an active act of imagination and representation where identities are not just given but constructed and performed. Thus, artistic and theoretical practices matter in this process of chosen or imposed filiations and legacies. What does it mean when a body, in the desire of having something in common, of sharing certainty, stands in for a broader cause? How do gestures and movement equip us with a sense of recognition, with a feeling of home? And where does collectivity end up in monitoring our imagination and introduce (self-)censorship? “Violence of Inscriptions #3” will host Farah Saleh, Frédéric Pouillaude, deufert&plischke, Jens R. Giersdorf, Didem Pekün, Kat Francois and Invernomuto for the 3ed event in the series.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.