This work, "A Response to Dig Deep", is a new and unique achievement, as a continuation of Zaides' individual process of movement as an artist-performer. He sets himself up as a tool of expression for something external – as he adopts it, identifies with it, opposes it – and eventually transforms from expressive tool to the substance he is expressing.→
A Response to Dig Deep
In 2013, Zaides was invited to take part in the Aire De Jeu project at Les Subsistances, a research center for performing arts in Lyon. The project invited choreographers from across the world to create a work using live music by contemporary composers. For the project, Zaides chose Dig Deep, a composition for string quartet by American composer Julia Wolfe.
Wolfe is a founding member of renowned New York collective Bang On A Can. Her music is distinguished by intense physicality and relentless power. It pushes performers to extremes ands demand close attention from the audience. Her 1995 composition Dig Deep generates an intense sonic movement inwards. In A Response to Dig Deep, Zaides focuses on a state of ongoing oscillation, offering the audience a kinesthetic, non-narrative practice that examines the tension between restlessness and stability.
Credits & CollaboratorsMusic Score 'Dig Deep' by Julia Wolfe Performed by Quatour Leonis & Arkadi Zaides Special Thanks to Myriam Van Imschoot Light Thalie Lurault Comissioned by Les Subsistances, Lyon (FR)
Articles & Reviews
“There is a certain feeling of ‘in-between’ that you inherit as an immigrant. My life as an artist has expanded this feeling,” said Arkadi Zaides in an interview with The Arty Semite. “Living all over the world, performing and choreographing, it is hard to say what constitutes my home. My home is everywhere.”
Zaides has always felt like an outsider, both artistically and personally. Born in Belarus, the choreographer moved to Israel with his family at age 11. Even after living for decades as an Israeli citizen, he has difficulty defining the concept of home.
Zaides examines his feeling of oscillation on a somatic level in his new piece “Response to Dig Deep” which has its North American premiere at New York Live Arts October 10.
Accompanied by French string quartet Quartour Leonis, Zaides responds to Julia Wolfe’s composition “Dig Deep” in a solo piece interpreting the poignant sound of violins, viola and cello.
“I chose the music because it was so physical. The strings bring out such intense emotion — they literally vibrate, crunch, and move. I mirrored the oscillation with my body and thought thematically about being suspended between two points,” Zaides said.
“Reponse to Dig Deep” was originally commissioned by the Aire de Jeu project at Les Subsistances, a center for choreographic innovation in Lyon, France. Wolfe, the famed co-founder of the musical organization Bang on a Can, contributed her compositions and collaborated with four international choreographers. Zaides first presented the work in France in January 2013.→
In a weekly event throughout the season, Dansehallerne presents meetings between affiliated artists and guests. In the upcoming session which topic is 'Choreography or Activism?' Arkadi Zaides will have a conversation with the choreographer Efva Lilja.
The experience and representation of collectivity are closely linked to an active act of imagination and representation where identities are not just given but constructed and performed. Thus, artistic and theoretical practices matter in this process of chosen or imposed filiations and legacies. What does it mean when a body, in the desire of having something in common, of sharing certainty, stands in for a broader cause? How do gestures and movement equip us with a sense of recognition, with a feeling of home? And where does collectivity end up in monitoring our imagination and introduce (self-)censorship? “Violence of Inscriptions #3” will host Farah Saleh, Frédéric Pouillaude, deufert&plischke, Jens R. Giersdorf, Didem Pekün, Kat Francois and Invernomuto for the 3ed event in the series.
What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines Zaides' practice over the past years.→