20 January 2007
Suzanne Dellal Center,
Tel Aviv, Israel
26 January 2007
Misgav Community Center,
Misgav, Israel
2 March 2007
Suzanne Dellal Center,
Tel Aviv, Israel
15 March 2007
29 March 2007
Beit Tami,
Tel Aviv, Israel
31 May 2007
Screening at the Vdance Festival ,
Tel Aviv, Israel
23 August 2007
B-Motion, Operaestate Festival Veneto,
Bassano Del Grappa, Italy
6 September 2007
Tmuna Theater,
Tel Aviv, Israel
6 September 2007
Tmuna Theater,
Tel Aviv, Israel
17—18 September 2007
22 September 2007
13 October 2007
Commix Arts Festival, Kobe Biennale,
Kobe, Japan
24 October 2007
Nigiwai-Za Theater,
Yokohama, Japan
8 November 2007
Tmuna Theater,
Tel Aviv, Israel
12 November 2007
The Lab,
Jerusalem, Israel
The empathetic view in the theater

For all our Flemish and Dutch speaking friends, the Belgian magazine Etcetera has released an article by theater scholar Esther Tuypens discussing the use of empathy in performing arts. The article analyzes mechanisms of emotional identification in Arkadi Zaides’ creation Archive as well as in Milo Rau’s Empire. It is available online

25 February 2019

How can we rethink the documentary in art in terms of content, form and method? The School of Speculative Documentary is an interdisciplinary space for an ​encounter that seeks to question the documentary act. Creators take the floor to discuss uncertainty and guesswork, to confront the unfixable holes in their work and the messiness of reality.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.