10—11 January 2008
Oyoun Theater,
Majd El Shams, The Golan Hights
10—11 January 2008
Oyoun Theater,
Majd El Shams, The Golan Hights
17 January 2008
Screening at ‘Territoris Dansa’ on Canal 33,
Catalunya, Spain
24 January 2008
Tmuna Theater,
Tel Aviv, Israel
26 January 2008
Screening at the 4th International Film Festival,
Yokohama, Japan
1—3 May 2008
No-Ballet,
Ludwigshafen, Germany
10 May 2008
Beit Tami,
Tel Aviv, Israel
6 June 2008
Adama Hangar,
Machtesh Ramon, Israel
10 June 2008
19 June 2008
Beit Tami,
Tel Aviv, Israel
23 June 2008
Blind Dates
26 June 2008
Blind Dates
28 June 2008
Blind Dates
13 July 2008
Blind Dates
Tmuna Theater,
Tel Aviv, Israel
7 August 2008
3 September 2008
Screening at Kunstfest,
Weimar, Germany
20 October 2008
13—15 November 2008
Tmuna Theater,
Tel Aviv, Israel
28 November 2008
Oyoun Theater,
Majd El Shams, The Golan Hights
27—28 December 2008
Tavi Dresdner Gallery,
Tel Aviv, Israel
23 October 2017

In a weekly event throughout the season, ​Dansehallerne presents meetings between affiliated artists and guests. In the upcoming session which topic is 'Choreography or Activism?' Arkadi Zaides will have a conversation with the choreographer Efva Lilja.

15—19 November 2017

The experience and representation of collectivity are closely linked to an active act of imagination and representation where identities are not just given but constructed and performed. Thus, artistic and theoretical practices matter in this process of chosen or imposed filiations and legacies. What does it mean when a body, in the desire of having something in common, of sharing certainty, stands in for a broader cause? How do gestures and movement equip us with a sense of recognition, with a feeling of home? And where does collectivity end up in monitoring our imagination and introduce (self-)censorship? “Violence of Inscriptions #3” will host Farah Saleh, Frédéric Pouillaude, deufert&plischke, Jens R. Giersdorf, Didem Pekün, Kat Francois and Invernomuto for the 3ed event in the series.

Usages Géopolitiques Des Images

What influence do images have on migration policies? How do dictatorial regimes produce their imagery? Is there an ethical way to document war zones? USAGES GÉOPOLITIQUES DES IMAGES is a new publication that sets to examine these issues through the works of various contemporary artists. The book compiles the writing of twelve contributors, among them is Frédéric Pouillaude, whose essay examines  Zaides' practice over the past years.