Record, Reproduce, Record...
Facing incessant destruction, looting, and denial, Palestinians have maintained a steadfast resistance against the project of erasure and forgetting employed by Israeli settler-colonialism. Rituals and classes, theatres and photographs, walks and ruins, melodies and stories are all mobilized for the spectres of memory to stay woke.
In States of Fantasy, Jacqueline Rose writes that it is precisely that memory evaded, that archive burned, that place destroyed, that evidence buried which returns to haunt. In Capture Practice and Archive, Arkadi Zaides’ work becomes the channel through which collectively evaded memories are not only captured and inscribed, but also displaced, abstracted and released in their most haunting form; undeniable, indestructible.
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